CHILDRENS THEATRE OF CHARLOTTE INC
Programs and results
What we aim to solve
Our programs
What are the organization's current programs, how do they measure success, and who do the programs serve?
Professional Theatre Productions
Children’s Theatre is a fully producing theatre. Prior to launching each Season, our artists, educators and leadership team carefully consider scripts for artistic merit, public and school audience appeal, curricular ties, variety of ages served, themes explored, diversity of programming, and ties to our mission. Once selected, our artistic team hires directors and actors along with professional set, costume, sound and lighting designers from the region and around the country. All sets and costumes are built on site by CTC craftsmen. Our productions feature professional adult actors and, in one or two shows annually, talented students in a variety of roles.
Each Season, we mount 12 productions for public audiences on the weekends and for school audiences during the week in the McColl Family Theatre and Wells Fargo Playhouse; both are technically equipped for us to create shows with production values of the highest caliber. Serving a wide age-range, these productions have set a new standard for professional theatre in our region. Our professional touring company, the Tarradiddle Players, travels from September to June taking plays to primarily rural areas throughout the Southeast. Four times a year, they return “home” to perform for public and school audiences at ImaginOn.
Our 2013-14 Season includes “Tarzan: The Stage Musical”, “Hansel & Gretel”, “Miracle on 34th Street”, “A Commedia Christmas Carol”, “Don’t Tell Me I Can’t Fly”, “Petite Rouge: A Cajun Red Riding Hood”, “Too Many Frogs”, “Spelling 2-5-5”, and “The Reluctant Dragon”. For our youngest audiences, we will offer “Balloonacy” and “The Owl Who Was Afraid of the Dark” and for our most mature patrons, teenagers, we will showcase “The Hundred Dresses”. As a complement to the work we produce, we will also offer a variety of culturally-rich showcases presented by guest artists.
To ensure access for all students, we generously subsidize nearly two-thirds of the cost of tickets for school shows. Last Season, more than 300 schools from Mecklenburg and 15 surrounding counties brought their students to CTC to experience the magic of live professional theatre. Teacher Resource and Family Play Guides that provide curricular connections and fun activities complement each show, deepening the experience, extending the educational value, and sparking classroom and family conversations.
Innovative Education Experiences
Our innovative theatre education initiatives provide comprehensive experiences for students at our facility, at satellite locations, and in our region’s schools. The Creative Drama Series for ages 2-2nd grade provides an introduction to theatre while encouraging social skills, confidence and imaginative play. Worshops for 2nd-12th graders playfully introduce beginning students to theatre and offer advanced students seminars and intensives. School of Theatre Training (SOTT) is a yearlong program for 3rd-12th graders dedicated to studying the skills and techniques of drama, both in acting and musical theatre. Students move through five graduated levels of programming, including OnStage, a unique student-driven performance opportunity. Conservatory students annually perform on the mainstage. Camps for ages 3-18 run June to mid-August. Introduced last year and back by popular demand in 2013-14 is a two-week teen performance camp and corresponding technical theatre training camp.
CTC and Charlotte-Mecklenburg Schools (CMS) have programmatically partnered for more than 40 years. Our In-School Residencies and Workshops are designed to bring curriculum to life through movement, drama activities, improvisation and storytelling. Neighborhood Bridges, for example, is a comprehensive arts-in-education writing and literacy residency for elementary students. Founded at The Children’s Theatre Company MN and featured in 13 states, 2013-14 represents our 9th program year. In response to priorities identified in the health curriculum, we produce and tour a powerful and relevant substance abuse prevention play called Liars to every CMS middle school; follow-up workshops are available as funding permits. CMS considers our programming to be some of the most rewarding and impactful for their students.
We are so committed to providing access to programs and removing barriers to participation that community engagement is embedded in the organization’s operating budget. We employ a full-time coordinator to build and nurture relationships with community and family partners through these initiatives:
• Scholarship tickets for our productions to qualifying families and organizations and full and partial class scholarships to qualifying students. In 2012-13, nearly 400 students received class scholarships and nearly 1,700 scholarship tickets were issued.
• No-fee programming in community sites and shelters. Last Season, more than 250 students were served in nine partner sites ranging from homeless shelters and transition homes to community centers in high poverty areas and libraries in challenged neighborhoods. We develop programming according to the needs of the children specific to each site.
• Subsidized school show tickets for all field trips. To ensure programming is accessible to all students, field trip tickets are $6-$7 per person. Last Season, more than 300 schools from Mecklenburg and 15 surrounding counties brought their students to CTC.
Where we work
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Login and updateAwards
USITT Thomas DeGaetani Award 2010
United States Institute for Theatre Technology, Inc.
Multi-Year Grant, Global Theatre Series 2010
The Women's Impact Fund
Nonprofit Sector Stewardship Award 2008
North Carolina Center for Nonprofits
Medallion 2008
Children's Theatre Foundation of America
McColl Award 2007
Arts & Science Council
Affiliations & memberships
Theatre for Young Audiences/USA (TYA/USA) 2013
American Alliance for Theatre & Education (AATE) 2013
Metrolina Theatre Association (MTA) 2013
North Carolina Theatre Conference (NCTC) 2013
Southeastern Theatre Conference (SETC) 2013
United States Institute for Theatre Technology (USITT) 2013
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Financials
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Operations
The people, governance practices, and partners that make the organization tick.
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Connect with nonprofit leaders
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CHILDRENS THEATRE OF CHARLOTTE INC
Board of directorsas of 06/18/2019
John Nurkin
SPX Corporation
Term: 2016 - 2017
Michael Desmond
Grant Thornton LLP
Jami Farris
Parker Poe
David Head
Grant Thornton LLP
Catherine Hensley
No Affiliation
Ashley Gigandet Joseph
Gymboree Play & Music
Florence Kim
Levine Cancer Institute, Carolinas Healthcare System
Gina P Lawrence
No Affiliation
Brian Moroz
Wells Fargo
John Nurkin
SPX Corporation
Scott Sutton
Duke Energy
Greg Wilcox
PNC Bank
Quanteer Williams
Microsoft Corporation
Jessica Churchill
Bank of America
Melissa Countryman
JE Dunn Construction
Peter Flur
sniglets, inc
Jennifer Miles
Cushman & Wakefield
Brian Murdock
Wells Fargo Securities
Maggie Greenlee
UTC Aerospace Systems
Mitchell Kelling
HorackTalley
Angela Scholl
No Affiliation
Brian Schultz
Charlotte-Mecklenburg Schools
Lisa Sherrill
No Affiliation
Brad Vineyard
Deloitte & Touche LLP
Sara Abadi
Sealed Air Corporation
Catherine Malone
Charlotte Lab School
Elizabeth Moreno
Accenture
Stacia Neugent
GreerWalker LLP
Timothy P. Rogers
Continental Tire of the Americas, LLC
Sherese Smith
No Affiliation
Michael Soistman
KPMG
Board leadership practices
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Board orientation and education
Does the board conduct a formal orientation for new board members and require all board members to sign a written agreement regarding their roles, responsibilities, and expectations? Yes -
CEO oversight
Has the board conducted a formal, written assessment of the chief executive within the past year ? Yes -
Ethics and transparency
Have the board and senior staff reviewed the conflict-of-interest policy and completed and signed disclosure statements in the past year? Yes -
Board composition
Does the board ensure an inclusive board member recruitment process that results in diversity of thought and leadership? Yes