Ankhlave Arts Alliance
Like "Enclave" with an "Ankh"
Programs and results
What we aim to solve
Ankhlave Arts Alliance is a W.A.G.E. certified nonprofit, 501(c)(3) organization for the advancement of Black, Indigenous and People of Color (BIPOC) in the contemporary art realm. AnkhLave (that’s “Enclave” with an “Ankh”) is based in New York City, and produces annual programming including our AnkhLave Garden Project Fellowship Program, and now our AnkhLave International Studio Diaries. We believe art is an ideal platform for the exchange of ideas and perspectives. Art allows people the opportunity to engage in conversations that can be difficult to confront, politically and socially, and opens the floor for conversations between people of diverse communities that may not have engaged otherwise. We believe art has the power to influence, change and even subvert culture in favor of more nuanced perspectives and for more equitable presence within the greater society.
Our programs
What are the organization's current programs, how do they measure success, and who do the programs serve?
Annual AnkhLave Garden Project Fellowship
5 artists of color are chosen to create work and present an art programming in a community garden space as an alternative space to the white walled studio or gallery. This allows artists to rethink the context of their art and connect with the greater community. This began in 2019 in a Manhattan Land Trust Garden in the Lower East Side of Manhattan, and has been held at the Queens Botanical Gardens since 2020.
Where we work
External reviews

Photos
Videos
Our Sustainable Development Goals
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Goals & Strategy
Learn about the organization's key goals, strategies, capabilities, and progress.
Charting impact
Four powerful questions that require reflection about what really matters - results.
What is the organization aiming to accomplish?
In keeping with our mission to facilitate exchange of ideas between and within communities, we seek to present programming beyond the traditional white-walled gallery space, and in alternative public spaces for the greater community to appreciate. People under the BIPOC umbrella don't always see themselves in the art establishment as it was founded within the framework and ideological perspectives of European majority nations. For this reason, many BIPOC have felt left out of art spaces, despite anthropologists touting art as a cultural universal. AnkhLave continues to present within and beyond this tradition to increase visibility of art from BIPOC in whatever avenues necessary to change and broaden the landscape of the contemporary art world. We also continue to present art to the community beyond the the traditional gallery space.
What are the organization's key strategies for making this happen?
We currently have 2 annual programs that we are facilitating. The AnkhLave Garden Project is a fellowship for 6 artists per year. Fellows receive a small stipend for materials and create archival work in a community garden space as an alternative studio experience. They also present artist talks, demonstrations and sometimes exhibition tours of their work in the space to an audience. They create their work in the summer, their work stays on site throughout the year, and they have a group show in the garden's gallery space in the winter using articles from their installations.
We are also initiating our Ankhlave International Studio Diaries featuring vlog and documentary footage of artists studio visits abroad, highlighting Indigenous communities. More details on that can be found at www.ankhlave.org
What are the organization's capabilities for doing this?
We have the means in terms o the technology to provide much of the programming content (on video, the editing software, etc)
We also have the time and ability to apply for grants.
What have they accomplished so far and what's next?
We have facilitated many different kinds of events including 3 annual juried art shows, 4 AnkhLave Magazines, 4 NYFW shows, 1 Award Ceremony, 12 monthly open mic shows, art demonstrations at the Nuyorican Cafe in the East Village, NYC, and countless pop up shows.
We distilled our programming to focus on alternative space, with the Annual AnkhLave Garden project. Due to COVID-19, our live demonstrations and talks were in jeopardy due to quarantine restrictions preventing the possibility for an audience. The Queens Botanical Gardens had closed to the public until further notice, and we needed to figure out a way to present the work to the largest audience possible in these uncertain times. We worked out an agreement with the Queens Botanical Gardens to allow the artists to come install on site and be interviewed about their work for a documentary that we are producing. Individual extended interview vlogs will be posted on the Queens Botanical Gardens website and the Ankhlave website, as well as social media, and a short documentary film will be submitted for film festivals once completed. We had to figure out a way to make it work, and thankfully had the budget to purchase supplies for the videography in addition to hiring an Emmy-nominated video editor to help us out.
We are also excited to continue taking our content to the digital landscape where anyone in the world can access it, as we initiate our AnkhLave International Studio Diaries series 2021
How we listen
Seeking feedback from people served makes programs more responsive and effective. Here’s how this organization is listening.
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How is your organization using feedback from the people you serve?
To identify bright spots and enhance positive service experiences, To inform the development of new programs/projects, To strengthen relationships with the people we serve
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What significant change resulted from feedback?
With feedback from 2019, we decided to have our 2020 AnkhLave Garden Project Fellow's work remain up throughout the year.
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Which of the following feedback practices does your organization routinely carry out?
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What challenges does the organization face when collecting feedback?
It is difficult to get the people we serve to respond to requests for feedback
Financials
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Operations
The people, governance practices, and partners that make the organization tick.
Connect with nonprofit leaders
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Connect with nonprofit leaders
SubscribeBuild relationships with key people who manage and lead nonprofit organizations with GuideStar Pro. Try a low commitment monthly plan today.
- Analyze a variety of pre-calculated financial metrics
- Access beautifully interactive analysis and comparison tools
- Compare nonprofit financials to similar organizations
Want to see how you can enhance your nonprofit research and unlock more insights? Learn More about GuideStar Pro.
Ankhlave Arts Alliance
Board of directorsas of 04/06/2022
Priscilla Smikle
AnkhLave Arts Alliance, Inc.
Term: 2022 - 2024
Priscilla Baidoo Smikle
AnkhLave Arts Alliance, Inc.
Sarah Nyalok
AnkhLave Arts Alliance, Inc.
Lindsay Barlett
AnkhLave Arts Alliance, Inc.
Melvin Griffin
AnkhLave Arts Alliance, Inc.
Organizational demographics
Who works and leads organizations that serve our diverse communities? Candid partnered with CHANGE Philanthropy on this demographic section.
Leadership
The organization's leader identifies as:
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