RICHARD HUGO HOUSE
a home for all writers
Programs and results
What we aim to solve
Hugo House has complied a Strategic Planning committee of 13 members that includes: Board, Community and Staff members. The Strategic Planning committee is tasked with identifying the major priorities for Hugo House over the next five years. Our four main goals are: -We want Hugo House to be a transformative space, a place writers can come together to grow in their art. -We want to engage new groups of people creating opportunities to connect more deeply with the power of the written word. -We want Hugo House to be profoundly welcoming to all writers and readers, to advance racial equity, and to ensure diversity and inclusion. -We want to build a lasting future for Hugo House, securing the resources necessary to accomplish our vision and thrive.
Our programs
What are the organization's current programs, how do they measure success, and who do the programs serve?
Youth Writer-in-Residence Program
This program provides teens with opportunities to focus on the development of their own writing and to expand their leadership and core competency skills. The writers are responsible for facilitating youth outreach, integrating youth throughout organization-sponsored programs, mentoring peers, and running Stage Fright, the monthly open-mic event for teens. The residency is open to high school students in grades 10 to 12 with a passion for writing and a talent for mentoring their peers. The residency runs from Oct. through June
Grants to Individuals Program
Residencies to outstanding youth and adult writers in the Seattle, WA area
Hugo House Programs
Hugo House offers classes, residencies, and events. Through our classes, we provide opportunities for writers of all ages and skill levels to practice and build their writing skills in supportive, creative, and stimulating classrooms. Our residencies consist of the Writers-in-Residence program and the Made at Hugo House program. The Writers-in-Residence program offers two established writers, one in poetry and one in prose, monthly stipends and a space to write; in exchange, they hold office hours and consult free of charge with anyone in the city and region who seeks their expertise. Made at Hugo House is a year-long fellowship program supporting 3-5 up-and-coming writers, age 35 and under, who are nearing completion of a project, usually first or second books. We provide them with a space to write, access to free classes, opportunities to give readings, and regular meetings with established writers, editors, and agents. We offer a variety of events and readings, many of which are free. Our annual Hugo Literary Series is our flagship series where we invite established and up-and-coming writers to create new work around a theme and debut it here. In 2013, we launched Word Works: Writers on Writing, a new series of events which are part craft talk, part TED Talk-style presentation, and part Inside the Actors Studio-type interview. Each event features a notable author discussing a specific element of writing they've mastered, along with close readings of their own and others’ work, followed by a Q&A with a local writer, editor, or critic.
Hugo House Classes
Classes are filled with diverse students, who challenge each other on many levels. It is not unusual to see variation in age, background, writing experience. One recent class had a ninety-year-old and a nineteen-year-old student. Many of the classes are six- to ten-week classes offered within Winter, Spring, Summer, and Fall terms, but single-day workshops and year-long classes are available. The offerings include classes in poetry, fiction, nonfiction, reading, publishing, and the writing process.
Hugo Literary Series
The Hugo Literary Series presents three writers and a musician or band commissioned to create new work on a theme. Series artists are encouraged to work without a sense of obligation, censorship, or stylistic frame. Pieces written for the series have been published in national periodicals and become parts of novels or story collections. Past artists include Macklemore, Dorothy Allison, Nick Flynn, Steve Almond, Roxanne Gay, Chris Abani, and Sam Lipsyte.
Word Works
Word Works: Writers on Writing is a craft-talk series featuring a notable writer on a specific topic, illustrated with close readings of their own work and examples from other writers. The thought-provoking series explores the depths and details of the writing craft, for writers and readers alike. Past writers include Pam Houston, Charles Baxter, Kay Ryan, Mary Jo Bang, Antonya Nelson, Major Jackson, and Bob Shacochis.
Writers Under the Influence
Writers Under the Influence celebrates the legacy of important writers. Each event features a group of writers discussing the legacy of an author who has made a major contribution to literature and influenced. We have featured programs that celebrate the contributions of Franz Kafka, Octavia E. Butler, Ursula K. Le Guin, James Baldwin, and Rainer Maria Rilke, among others.
Scribes (writing workshops)
Scribes is an intensive two-week summer creative writing program for middle- and high-school students led by professional writers and guest artists.
Stage Fright
Stage Fright is a monthly open mic for teen writers to share poetry, fiction, journals, and more.
Hugo House Writers-in-Residence
A prose writer and a poet are selected in a competitive process for a two-year term as Writers-in-Residence. The writers are paid a stipend of $500 monthly to offer writing guidance to members of the general public free of charge. They also curate or participate in public programs, and work with populations who don’t normally have access to the arts.
Where we work
-
Washington (United States)
Awards
Seattle Arts Commission Mayor's Arts Award 2007
Mayor's Office of Arts & Cultural Affairs
Photos
Videos
Our results
How does this organization measure their results? It's a hard question but an important one.
Community Programs
This metric is no longer tracked.Totals By Year
Related Program
Hugo House Programs
Type of Metric
Other - describing something else
Number of Adult Students
This metric is no longer tracked.Totals By Year
Related Program
Hugo House Classes
Type of Metric
Other - describing something else
Number of Youth Students Enrolled
This metric is no longer tracked.Totals By Year
Related Program
Scribes (writing workshops)
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
We had 503 youth students participate in Hugo House programming in 2020.
Adult Education Classes
This metric is no longer tracked.Totals By Year
Type of Metric
Other - describing something else
Our Sustainable Development Goals
Learn more about Sustainable Development Goals.
Goals & Strategy
Learn about the organization's key goals, strategies, capabilities, and progress.
Charting impact
Four powerful questions that require reflection about what really matters - results.
What is the organization aiming to accomplish?
Hugo House is a place for writers–connecting the West Coast to the larger literary conversation, nationally and internationally. It is our mission to be a place to read words, hear words, and make your own words better.
We provide the best readings and events possible, bringing in renowned writers from all over as well as featuring talented writers from the region. We have a lively and rapidly growing series of classes – over 200 each year – so we can help aspiring writers write better.
Thousands of people come through our doors annually to attend readings, panels, and craft talks; thousands more enroll in writing workshops. Hundreds of kids participate in our teen programs. Writers-in-residence are available for consultations and we nurture a cohort of four to six emerging writers each year with fellowships.
We commission new work, provide opportunities for collaboration, and explore the writing craft.
Writing, as our namesake Richard Hugo wrote, is hard work, a challenge that takes humility, honesty, and the courage to go deep enough to discover and reveal our common humanity. For anyone who takes on that challenge, Hugo House is that writer’s greatest ally.
Our two primary goals are:
• Help writers become better writers
• Link writers to the community
What are the organization's key strategies for making this happen?
a. Help writers become better writers
1. Increase the number and quality of writing classes
2. Find satellite locations in which to offer classes
3. Nurture young writers and expand enrollment in youth programming
4. Provide scholarship opportunities for writers who can’t afford tuition
5. Improve evaluation process and systems to effect program growth and quality*
b. Link writers to the community
1. Annually present a strong series of events showcasing powerful writing, including fiction, poetry, and creative nonfiction
2. Represent the best work of all different styles, from established traditions to the vanguard
3. Develop public profiles of writers by engaging them in public issues and in collaboration with other institutions
4. Identify the most talented writers and support their development
5. Establish and maintain strong connections to the larger literary world
What are the organization's capabilities for doing this?
Hugo House is a place for writers. At the center of our Programs is the understanding that writing is hard work, and the belief that by focusing on good writing in an inclusive, welcoming environment, we can add to the well of our understanding of the human condition. We believe that good writing can “construct a bridge across that abyss of human loneliness.”
Working with diverse communities is a priority in our programming. We’ve presented many writers from underrepresented communities, including Native American, African American, Asian American, Latino, lesbian, gay, bisexual, and transgender writers. We form partnerships with groups that serve diverse constituents, such as Path with Art, an arts access nonprofit for homeless and disadvantaged adults. Scholarships are available for those would otherwise not be able to take classes.
• The Hugo Literary Series presents three writers and a musician or band commissioned to create new work on a theme. Artists include Sherman Alexie, Macklemore, Dorothy Allison, and Nick Flynn.
• Word Works: Writers on Writing is a craft-talk series featuring a notable writer on a specific topic, illustrated with close readings of their own work and examples from other writers. Writers include Pam Houston, Charles Baxter, Kay Ryan, and Mary Jo Bang.
• Writers Under the Influence celebrates the legacy of important writers. Each event features a group of writers discussing an author who has made a major contribution to literature. Topics include Franz Krafka, Flannery O’Connor, and Gertrude Stein.
• Cheap Wine & Poetry and Cheap Beer & Prose The Cheap Series is a popular, often standing room only reading series. Writers include Maria Semple, Rory Douglas, and Claire Dederer.
• Writers-in-Residence Writers are selected in a competitive process for a two-year term. The writers offer writing guidance to the general public free of charge. They also curate or participate in public programs, and work with populations who don’t normally have access to the arts.
• Scribes is a two-week summer creative writing program for middle- and high-school students led by professional writers.
• Stage Fright A monthly open mic for teen writers to share poetry, fiction, journals, and more.
• Write Time A free weekly group facilitated by a writer. Youth bring something they’re working on or just come ready to write.
• Made at Hugo House A fellowship program for emerging writers. Fellows complete a specific writing project and are given priority access to our writers-in-residence and a writing office.
• Other Readings & Partnerships Hugo House supports writers by hosting book launches, readings, and other literary events during the year. Events feature such writers as Tony Hoagland, Kevin Young, Brenda Peterson, and others. Partnerships include reading events with Favorite Poem Project, McSweeney’s, Red Hen Press, and others.
What have they accomplished so far and what's next?
Hugo House is the writer’s greatest ally, and we’re proving that in many ways:
• We have a lively and rapidly growing series of classes – over 200 each year – so we can help aspiring writers make their words the best they can be
• We provide the best readings and events possible, bringing in renowned writers from all over as well as featuring talented writers from the region
• Over 12,000 people a year come through our doors to attend readings, panels, and craft talks; thousands more enroll in writing workshops
• Writers-in-residence are available for consultations
• Hundreds of teens, who are spectacular writers themselves, participate in our year-round youth programs
• Commission new works from authors and artists in our community
• Produce over 200 events (more than 80% are free)
• Provide more than $20,000 in scholarships to youth and adult students annually
• Provide over 100 writers, who are also stellar teachers, paid work though teaching
• Build programs for young and emerging writers, including the Hugo House fellowship program for emerging writers, a youth mentorship program (that pairs adult and teen writers), and the Youth Leadership Cohort
How we listen
Seeking feedback from people served makes programs more responsive and effective. Here’s how this organization is listening.
-
How is your organization using feedback from the people you serve?
To identify and remedy poor client service experiences, To identify bright spots and enhance positive service experiences, To make fundamental changes to our programs and/or operations, To inform the development of new programs/projects, To identify where we are less inclusive or equitable across demographic groups, To strengthen relationships with the people we serve, To understand people’s needs and how we can help them achieve their goals,
-
Which of the following feedback practices does your organization routinely carry out?
We collect feedback from the people we serve at least annually, We aim to collect feedback from as many people we serve as possible, We take steps to ensure people feel comfortable being honest with us, We engage the people who provide feedback in looking for ways we can improve in response, We act on the feedback we receive, We tell the people who gave us feedback how we acted on their feedback, We ask the people who gave us feedback how well they think we responded,
-
What challenges does the organization face when collecting feedback?
It is difficult to get the people we serve to respond to requests for feedback, We don’t have the right technology to collect and aggregate feedback efficiently, It is difficult to find the ongoing funding to support feedback collection,
Financials
Unlock nonprofit financial insights that will help you make more informed decisions. Try our monthly plan today.
- Analyze a variety of pre-calculated financial metrics
- Access beautifully interactive analysis and comparison tools
- Compare nonprofit financials to similar organizations
Want to see how you can enhance your nonprofit research and unlock more insights?
Learn more
about GuideStar Pro.
Operations
The people, governance practices, and partners that make the organization tick.
Connect with nonprofit leaders
SubscribeBuild relationships with key people who manage and lead nonprofit organizations with GuideStar Pro. Try a low commitment monthly plan today.
- Analyze a variety of pre-calculated financial metrics
- Access beautifully interactive analysis and comparison tools
- Compare nonprofit financials to similar organizations
Want to see how you can enhance your nonprofit research and unlock more insights? Learn More about GuideStar Pro.
Connect with nonprofit leaders
SubscribeBuild relationships with key people who manage and lead nonprofit organizations with GuideStar Pro. Try a low commitment monthly plan today.
- Analyze a variety of pre-calculated financial metrics
- Access beautifully interactive analysis and comparison tools
- Compare nonprofit financials to similar organizations
Want to see how you can enhance your nonprofit research and unlock more insights? Learn More about GuideStar Pro.
RICHARD HUGO HOUSE
Board of directorsas of 8/1/2025
Linda Breneman
No Affiliation
Term: 2017 -
Donna Polehn DIRECTOR
Eric Magnuson
Esther Uduehi
Linda Breneman
No Affiliation
Linda Johnson
Pele Bennett
Rebecca Mann
Robin Hyerstay
Ryan Calo
Board leadership practices
GuideStar worked with BoardSource, the national leader in nonprofit board leadership and governance, to create this section.
-
Board orientation and education
Does the board conduct a formal orientation for new board members and require all board members to sign a written agreement regarding their roles, responsibilities, and expectations? Yes -
CEO oversight
Has the board conducted a formal, written assessment of the chief executive within the past year ? Yes -
Ethics and transparency
Have the board and senior staff reviewed the conflict-of-interest policy and completed and signed disclosure statements in the past year? Yes -
Board composition
Does the board ensure an inclusive board member recruitment process that results in diversity of thought and leadership? Yes -
Board performance
Has the board conducted a formal, written self-assessment of its performance within the past three years? Not applicable
Organizational demographics
Who works and leads organizations that serve our diverse communities? Candid partnered with CHANGE Philanthropy on this demographic section.
Leadership
The organization's leader identifies as: