Starlight Theatre Association of Kansas City, Inc.
EIN: 44-0552079
Programs and results
Reports and documents
Download annual reports Download other documentsWhat we aim to solve
In a competitive and shifting performing arts market, Starlight seeks to find its niche in the Greater Kansas City and regional community as a destination that promises a transformative arts experience beyond the acts that cross the stage. Broadway/musical theatre audiences change and availability of product is an ongoing challenge as is the inherent challenge of operating a seasonal outdoor amphitheatre with an 8000 seat capacity which is twice the size of most performing arts centers which present musical theatre.
Our programs
What are the organization's current programs, how do they measure success, and who do the programs serve?
Live Performing Art Events - Broadway Musical Theatre & Popular Music and Comedy Concerts
Starlight Theatre’s annual summer series features national Broadway tours, locally-produced musical theatre and a wide variety of concert events. The original Starlight stage was constructed in 1950 as part of Kansas City, Missouri’s centennial celebration, making Starlight the oldest and largest outdoor performing arts venue in the metropolitan area. In addition, it is one of only two remaining outdoor theatre venues of its kind in the United States. Contributions help to close the gap between earned revenue and expenses. Although production costs continue to escalate, Starlight remains committed to keeping its ticket prices affordable. Each year, Starlight presents anywhere from 5-9 Broadway shows appealing to a diverse group of audience members. Shows often include a mixture of classics and contemporary titles, and also give patrons flexibility with the recent addition of weekend specials. Starlight regularly has more than 20 live concert events each summer, artists range from classic rock to current popular music to comedy.
Community Ticket Program
The Starlight Theatre Community Ticket Program is designed to provide access to Broadway shows for groups who would otherwise be unable to enjoy live theatre performances due to economic, medical or other restrictive causes. This program, which provides 364 complimentary tickets to each night of each Broadway performance, is available to 501(c)(3) charitable organizations operating in the bi-state area. As it is not possible to assist all interested 501(c)(3) organizations, the focus of this program is to enhance the lives of underprivileged and at-risk youth, the medically dependent or disabled, and low-income senior citizens. This program’s tickets are distributed through partnering organizations in order to qualify and track the recipients and their ticket use.
Community Engagement Programs
Starlight Theatre's year-round community engagement programs include: the Bob Rohlf Summer Internship Program, which provides paid internship opportunities for college students; the Vincent Legacy Scholarship, which provides funding for performance training for ethnically diverse students; Starlight Stars of Tomorrow and Starlight Stars, training programs for middle and high school students that help them develop performing skills; Just Imagine, an interactive theatre experience for children in hospitals, shelters or child service organizations; and the Blue Star Awards, recognizing and promoting achievement in high school musical theatre programs in KC.
Where we work
Awards
Favorite Live Music Venue 2018
VisitKC
Favorite Live Show 2018
KC Parent
Best Outdoor Venue 2018
The Pitch
Best Live Music venue (over 1,00) 2019
The Pitch
Best Live Theatre 2019
The Pitch
Best Outdoor Venue 2019
The Pitch
Community Anchor 2019
Southtown Council
Best Charitable Event (Bronze) 2019
Ingram's Magazine
Best Outdoor Music Venue 2020
Kansas City Magazine
Best Live Theatre Venue 2020
Kansas City Magazine
Best Outdoor Venue 2020
The Pitch
Best Live Theatre 2020
The Pitch
Best Live Music Venue (over 1,000) 2020
The Pitch
Traveler's Choice 2020
Trip Advisor
Affiliations & memberships
Independent Presenters Network - Voting Member 2007
Actor's Equity Association 2009
Broadway League 2000
External reviews

Videos
Our results
How does this organization measure their results? It's a hard question but an important one.
Total number of free admissions
This metric is no longer tracked.Totals By Year
Population(s) Served
Economically disadvantaged people
Related Program
Community Ticket Program
Type of Metric
Output - describing our activities and reach
Direction of Success
Holding steady
Context Notes
All 2020 in-person shows were cancelled due to the COVID-19 Global Pandemic but two virtual events were offered free to the public and resulted in increased reach from usual attendance.
Total number of performances
This metric is no longer tracked.Totals By Year
Population(s) Served
Adults
Related Program
Live Performing Art Events - Broadway Musical Theatre & Popular Music and Comedy Concerts
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
Starlight's summer Broadway season and concerts were cancelled in 2020 due to the COVID-19 Global Pandemic, however, Starlight did produce and present virtual content and three Off-Broadway shows.
Total number of audience members
This metric is no longer tracked.Totals By Year
Population(s) Served
Adults
Related Program
Live Performing Art Events - Broadway Musical Theatre & Popular Music and Comedy Concerts
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
2020 numbers represent shows presented as part of Starlight's Indoors Series between January and early March. Virtual event attendance would increase this number by nearly 20,000.
Total number of off-site performances held
This metric is no longer tracked.Totals By Year
Population(s) Served
At-risk youth
Related Program
Community Engagement Programs
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
The 10 noted performances for 2020 were all hosted prior to the onset of the global pandemic.
Total dollar amount of scholarship awarded
This metric is no longer tracked.Totals By Year
Population(s) Served
Adolescents
Related Program
Community Engagement Programs
Type of Metric
Outcome - describing the effects on people or issues
Direction of Success
Increasing
Context Notes
In 2020, the pandemic impacted a signature scholarships program as it prevented the typical cycle of auditions and applications.
Number of competition entrants
This metric is no longer tracked.Totals By Year
Population(s) Served
Adolescents
Related Program
Community Engagement Programs
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Number of entities served by expertise
This metric is no longer tracked.Totals By Year
Population(s) Served
Families
Related Program
Community Engagement Programs
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
The 2020 increase includes online/virtual reach through virtual programming alternatives and a new performance web series focused on elevating artists of color.
Our Sustainable Development Goals
Learn more about Sustainable Development Goals.
Goals & Strategy
Reports and documents
Download strategic planLearn about the organization's key goals, strategies, capabilities, and progress.
Charting impact
Four powerful questions that require reflection about what really matters - results.
What is the organization aiming to accomplish?
Starlight's ultimate goal aligns with it's mission: to produce, present and promote exceptional arts experiences by delivering accessible live entertainment for all audiences, superior theatre arts education, impactful community outreach programs, and utilizing its iconic city-owned venue. Long term success includes the elevation of Starlight's nonprofit status and mission-driven intent centered on both its arts experiences but equally its education and outreach programs. Arts access, and particularly access to Starlight, should not be dictated by socioeconomic status and barriers to participation, attendance and engagement should be considered as important as ticket sales. Engaging with or experiencing Starlight should be a part of what it is to be a Kansas Citian, and attending an event at Starlight should be a regional desire. Outdoor theatre is an increasingly precious experience that we seek to not just preserve but sustain and grow. We will know when we have achieved our goals when our seats are consistently full, our charitable gifts represent at least 20% of our annual revenue, and Starlight is consistently represented as a key civic asset, an essential arts experience, and a regional destination.
What are the organization's key strategies for making this happen?
Starlight completed a three-year strategic plan in May of 2018 that had 6 main areas of focus: Mission Driven Initiatives:1. Events: Provide highest quality live events to diverse audiences.2. Education & Outreach: Elevate the impact of Starlight by refining our portfolio of community-centric programs to build and enhance life skills and create enduring bonds to the arts.3. Guest Experience: Enhance the delivery of a quality guest experience by ensuring the facilities and its offerings exceed expectations. Cross-Cutting Initiatives:4. Branding, Marketing & PR: Build and grow an organization-wide Starlight brand, representing the total guest experience, that meets the needs of our evolving customers and fully aligns with our vision and mission.5. People: Create and maintain a culture of excellence and effective communication by supporting and inspiring highly qualified and diverse staff, board and volunteers, while concurrently building an effective and informed relationship with the city.6. Financial Sustainability: Enhance our long-term financial sustainability by growing revenue including tickets, ancillaries, donations and grants; and having appropriate financial systems in place to effectively monitor and control expenses to meet the needs of our mission. Each of these initiatives has specific key performance indicators, timelines, responsible parties and associated tactics that in concert serve as a road map to success.
What are the organization's capabilities for doing this?
Starlight has several key human assets: 1) An incredible, tenured professional staff: from finance to fundraising to production staff, Starlight's full-time employees represent a wealth of talent, and, perhaps most importantly, a tremendous amount of tenure. Ten full time employees of 42 began their careers as interns in the summer internship program and have continued on, one for two decades. Senior staff has seen little turnover in twenty years, resulting in rich historical knowledge and deep organizational devotion. 2) A robust, high-impact Board of Directors: with 30-35 active elected members and many engaged past Board chairs as lifetime members, Starlight's Board of Directors is populated with some of the best and most tenacious corporate and civic leaders. Many of them are longtime Starlight subscribers, most are Starlight donors, and all are dedicated to continual improvement and progress. 3) An unparalleled army of volunteers: while some organizations may boast higher numbers of volunteers, few can boast more dedicated volunteers than the approximately 200 "Ambassadors" that serve as a critical extension to the full-time employee team. Ambassadors not only usher, they give tours and are versed in Starlight history, they help with special event, and they show up whenever they are needed with few questions asked besides "when and where?" 4) A deepening relationship with the City: as a city-owned venue, Starlight's relationship with the City of Kansas City, Missouri is rich and storied. While those that have populated both entities have changed over the years, the strength of the relationship has rarely faltered, particularly between the Department of Parks and Recreation and Starlight, who work closely together in the shared Swope Park space. 5) Starlight fills a unique space in the arts and civic community; it is one of just two theatres like it left in the country: an outdoor theatre that both self-produces musical theatre, presents Broadways tours, and promotes live concerts in addition to its signature education and outreach programs which uniquely create arts access, arts education opportunities, and foster arts advocates and patrons.
What have they accomplished so far and what's next?
As a performing arts organization that opened its gates in 1951, and one of only 2 outdoor amphitheatres of its kind in the nation, Starlight has a storied history within the Kansas City community as a presenter, producer and promoter of Broadway musical theatre and world-class concerts. The stories from long-time attendees that have, in some cases, grown up with Starlight as an annual tradition, make a strong foundation of support and love for the civic asset that Starlight is.
What lies ahead is a refining of the intentions and strategies by which Starlight will continue to create unforgettable performing arts experiences in an environment no one in the area can equal. Further, there is increased interest and stakeholder investment in focusing and fortifying our education and outreach efforts to make a bigger and/or more meaningful impact on the community, particularly those who might not otherwise be able to experience the magic of a Starlight night.
How we listen
Seeking feedback from people served makes programs more responsive and effective. Here’s how this organization is listening.
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Who are the people you serve with your mission?
In a normal year, Starlight attracts more than 250,000 annual guests. While the majority of attendees come from the Midwest, Starlight attracts visitors from all 50 states, which contributes an estimated $7.7 million back into the local economy. With a variety of Broadway, concert, and Indoor performances, Starlight aims to offer diverse arts experiences and programming that appeals to all ages, races, ethnicities, and backgrounds. Since its founding in 1951, Starlight’s community tickets program has provided more than a million free tickets to those who might not otherwise be to experience a Starlight night. In 2019, Starlight provided 12,710 free Broadway tickets to more than 100 regional nonprofit organizations to offer their clients.
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How is your organization using feedback from the people you serve?
To identify and remedy poor client service experiences, To identify bright spots and enhance positive service experiences, To make fundamental changes to our programs and/or operations, To inform the development of new programs/projects, To identify where we are less inclusive or equitable across demographic groups, To strengthen relationships with the people we serve, To understand people's needs and how we can help them achieve their goals
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What significant change resulted from feedback?
Over the past year, Starlight has made significant improvements to make our campus more accessible. Some of the most notable additions are new ADA seats at every price level, accessible walkways, and a partnership with VarietyKC to provide more accessible amenities for all groups. Our largest community engagement program, the Blue Star Awards, serving more than 50 area high schools, convened a student council for the first time in 2019. This student council not only provided valuable feedback that shaped new elements of the program but also aided the enhancement of communication with students, educators and families.
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Which of the following feedback practices does your organization routinely carry out?
We collect feedback from the people we serve at least annually, We take steps to get feedback from marginalized or under-represented people, We aim to collect feedback from as many people we serve as possible, We take steps to ensure people feel comfortable being honest with us, We look for patterns in feedback based on demographics (e.g., race, age, gender, etc.), We look for patterns in feedback based on people’s interactions with us (e.g., site, frequency of service, etc.), We engage the people who provide feedback in looking for ways we can improve in response, We act on the feedback we receive, We tell the people who gave us feedback how we acted on their feedback
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What challenges does the organization face when collecting feedback?
It is difficult to get the people we serve to respond to requests for feedback, The people we serve tell us they find data collection burdensome
Financials
Financial documents
Download audited financialsRevenue vs. expenses: breakdown
Liquidity in 2022 info
2.00
Months of cash in 2022 info
13.3
Fringe rate in 2022 info
26%
Funding sources info
Assets & liabilities info
Starlight Theatre Association of Kansas City, Inc.
Revenue & expensesFiscal Year: Apr 01 - Mar 31
SOURCE: IRS Form 990
Starlight Theatre Association of Kansas City, Inc.
Balance sheetFiscal Year: Apr 01 - Mar 31
SOURCE: IRS Form 990
The balance sheet gives a snapshot of the financial health of an organization at a particular point in time. An organization's total assets should generally exceed its total liabilities, or it cannot survive long, but the types of assets and liabilities must also be considered. For instance, an organization's current assets (cash, receivables, securities, etc.) should be sufficient to cover its current liabilities (payables, deferred revenue, current year loan, and note payments). Otherwise, the organization may face solvency problems. On the other hand, an organization whose cash and equivalents greatly exceed its current liabilities might not be putting its money to best use.
Starlight Theatre Association of Kansas City, Inc.
Financial trends analysis Glossary & formula definitionsFiscal Year: Apr 01 - Mar 31
SOURCE: IRS Form 990
This snapshot of Starlight Theatre Association of Kansas City, Inc.’s financial trends applies Nonprofit Finance Fund® analysis to data hosted by GuideStar. While it highlights the data that matter most, remember that context is key – numbers only tell part of any story.
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Business model indicators
Profitability info | 2018 | 2019 | 2020 | 2021 | 2022 |
---|---|---|---|---|---|
Unrestricted surplus (deficit) before depreciation | $491,165 | -$1,277,951 | -$225,546 | -$404,031 | $8,781,948 |
As % of expenses | 2.4% | -34.8% | -1.2% | -8.1% | 63.6% |
Unrestricted surplus (deficit) after depreciation | -$980,130 | -$2,047,126 | -$1,712,929 | -$1,818,848 | $7,395,593 |
As % of expenses | -4.4% | -46.1% | -8.4% | -28.4% | 48.7% |
Revenue composition info | |||||
---|---|---|---|---|---|
Total revenue (unrestricted & restricted) | $21,184,267 | $1,704,652 | $18,937,464 | $3,026,413 | $27,963,583 |
Total revenue, % change over prior year | 7.3% | -92.0% | 1010.9% | -84.0% | 824.0% |
Program services revenue | 91.5% | 50.6% | 91.0% | 4.0% | 32.8% |
Membership dues | 0.0% | 0.0% | 0.0% | 0.0% | 0.0% |
Investment income | 1.0% | 6.6% | 1.4% | 5.4% | 0.7% |
Government grants | 1.4% | 13.3% | 1.1% | 52.9% | 40.4% |
All other grants and contributions | 4.5% | 16.3% | 6.6% | 36.7% | 25.5% |
Other revenue | 1.6% | 13.2% | 0.0% | 1.0% | 0.6% |
Expense composition info | |||||
---|---|---|---|---|---|
Total expenses before depreciation | $20,790,791 | $3,672,827 | $18,995,053 | $4,984,945 | $13,812,978 |
Total expenses, % change over prior year | 7.2% | -82.3% | 417.2% | -73.8% | 177.1% |
Personnel | 19.9% | 46.3% | 23.8% | 62.0% | 34.7% |
Professional fees | 5.9% | 5.8% | 6.8% | 5.3% | 5.4% |
Occupancy | 1.9% | 5.7% | 2.3% | 5.6% | 2.6% |
Interest | 0.0% | 0.0% | 0.0% | 0.0% | 0.0% |
Pass-through | 0.0% | 0.0% | 0.0% | 0.0% | 0.2% |
All other expenses | 72.3% | 42.2% | 67.0% | 27.1% | 57.1% |
Full cost components (estimated) info | 2018 | 2019 | 2020 | 2021 | 2022 |
---|---|---|---|---|---|
Total expenses (after depreciation) | $22,262,086 | $4,442,002 | $20,482,436 | $6,399,762 | $15,199,333 |
One month of savings | $1,732,566 | $306,069 | $1,582,921 | $415,412 | $1,151,082 |
Debt principal payment | $0 | $0 | $0 | $0 | $0 |
Fixed asset additions | $0 | $0 | $0 | $0 | $0 |
Total full costs (estimated) | $23,994,652 | $4,748,071 | $22,065,357 | $6,815,174 | $16,350,415 |
Capital structure indicators
Liquidity info | 2018 | 2019 | 2020 | 2021 | 2022 |
---|---|---|---|---|---|
Months of cash | 2.9 | 21.7 | 2.8 | 0.8 | 13.3 |
Months of cash and investments | 7.6 | 48.3 | 7.9 | 21.5 | 21.5 |
Months of estimated liquid unrestricted net assets | 3.6 | 15.0 | 2.4 | 7.2 | 9.6 |
Balance sheet composition info | 2018 | 2019 | 2020 | 2021 | 2022 |
---|---|---|---|---|---|
Cash | $4,945,874 | $6,630,206 | $4,432,046 | $322,477 | $15,336,612 |
Investments | $8,197,841 | $8,137,763 | $7,994,536 | $8,589,583 | $9,455,047 |
Receivables | $212,670 | $27,315 | $200,578 | $664,989 | $5,766,535 |
Gross land, buildings, equipment (LBE) | $34,683,700 | $35,016,541 | $35,548,657 | $35,929,217 | $36,523,833 |
Accumulated depreciation (as a % of LBE) | 56.0% | 57.5% | 60.8% | 63.9% | 66.5% |
Liabilities (as a % of assets) | 15.9% | 26.5% | 24.9% | 19.7% | 28.3% |
Unrestricted net assets | $21,522,840 | $19,475,714 | $17,762,785 | $15,943,937 | $23,339,530 |
Temporarily restricted net assets | $227,921 | $237,827 | N/A | N/A | N/A |
Permanently restricted net assets | $2,612,863 | $2,612,863 | N/A | N/A | N/A |
Total restricted net assets | $2,840,784 | $2,850,690 | $2,692,611 | $2,675,271 | $8,006,950 |
Total net assets | $24,363,624 | $22,326,404 | $20,455,396 | $18,619,208 | $31,346,480 |
Key data checks
Key data checks info | 2018 | 2019 | 2020 | 2021 | 2022 |
---|---|---|---|---|---|
Material data errors | No | No | No | No | No |
Operations
The people, governance practices, and partners that make the organization tick.
Documents
President and CEO
Mr. Rich Baker
Rich Baker is a passionate, experienced leader in the performing arts industry. A native of St. Louis, Rich spent 14 years as president of Fox Associates, a private holding company that operates the historic 4,500-seat Fox Theatre, MetroTix, and New York-Based Fox Theatricals. He has held many exclusive management positions, and produced more than 15 plays and musicals for Fox Theatricals. Rich serves on the Board of Governors for the Broadway League, the national trade organization for the Broadway industry. He also serves on the League’s road labor, intra-industry & governance committees, and is a voter for the American Theatre Wing’s annual Tony Awards®, celebrating excellence on Broadway. He is a member of the International Association of Assembly Managers, the American Institute of CPAs, and the Missouri Society of CPAs. Rich holds a B.S. in Business Administration from the University of Missouri-St. Louis. 2014 marked Rich’s first season with Starlight Theatre.
Number of employees
Source: IRS Form 990
Starlight Theatre Association of Kansas City, Inc.
Officers, directors, trustees, and key employeesSOURCE: IRS Form 990
Compensation data
There are no highest paid employees recorded for this organization.
Starlight Theatre Association of Kansas City, Inc.
Board of directorsas of 09/20/2022
Board of directors data
Mr Mark Fortino
Country Club Bank
Term: 2021 - 2023
Ora Reynolds
Hunt Midwest Real Estate Development, Inc.
Anita Gorman
Community Volunteer
John Murphy
Retired
Mark Fortino
Country Club Bank
Dan Schulte
Schulte Ventures
Robert Barnes
Bryan Cave Leighton Paisner
Nancy Whitworth
McCownGordon Construction
Denise Bade
Lockton
Greg Reid
BoomDeYada
Steve Doyal
Retired
Becky Blades
Startistry Publishing
Lesley Elwell
Evergy
Ed Enyeart
Bardavon Health Innovations
Jenny Housley
Blue Cross Blue Shield KC
Terry O'Toole
Kansas City Transportation Group
Richard Baker
Starlight Theatre
Howard Cohen
Retired
Sabrina Wiewel
Hallmark Cards, Inc.
Dean Newton
Delta Dental of Kansas
Wendy Burgess
RDD Family Office
Elise Jones
Enterprise Bank & Trust
Augie Huber
A.L Huber General Contractor
Mandi Wright
Starlight Theatre
Aviva Ajmera
SoLVE KC
Jeff Carson
Enterprise Bank & Trust
Michael Condon
IMA Financial Group
Nikki Emison
North Kansas City Hospital/Emison Life Care Planning
Amy Guerich
Stepp & Rothwell
Robert Hingula
Polsinelli
Michael Knecht
AdventHealth
Michael Lanning
US Asset Services
Christopher Stine
JP Morgan Chase & Co
Angelo Trozzolo
Trozzolo Communications
Mark Van Dyne
Burns & McDonnell
Vanessa Vaughn West
Lathrop GPM
Robert K. Wolf
KPMG
Michael Collins
Grayson Capital, LLC
Jill Farrell
American Century Investments
Richard Heise
Commerce Bank
Heather Jones
Seigfreid Bingham, P.C.
Kevin Kelly
U.S. Federal Properties, Co., LLC
Troy Nash
Newmark Zimmer
Board leadership practices
GuideStar worked with BoardSource, the national leader in nonprofit board leadership and governance, to create this section.
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Board orientation and education
Does the board conduct a formal orientation for new board members and require all board members to sign a written agreement regarding their roles, responsibilities, and expectations? Yes -
CEO oversight
Has the board conducted a formal, written assessment of the chief executive within the past year ? Yes -
Ethics and transparency
Have the board and senior staff reviewed the conflict-of-interest policy and completed and signed disclosure statements in the past year? Yes -
Board composition
Does the board ensure an inclusive board member recruitment process that results in diversity of thought and leadership? Yes -
Board performance
Has the board conducted a formal, written self-assessment of its performance within the past three years? No
Organizational demographics
Who works and leads organizations that serve our diverse communities? Candid partnered with CHANGE Philanthropy on this demographic section.
Leadership
The organization's leader identifies as:
Race & ethnicity
Gender identity
Sexual orientation
Disability
Equity strategies
Last updated: 07/20/2021GuideStar partnered with Equity in the Center - an organization that works to shift mindsets, practices, and systems to increase racial equity - to create this section. Learn more
- We disaggregate data to adjust programming goals to keep pace with changing needs of the communities we support.
- We employ non-traditional ways of gathering feedback on programs and trainings, which may include interviews, roundtables, and external reviews with/by community stakeholders.
- We have long-term strategic plans and measurable goals for creating a culture such that one’s race identity has no influence on how they fare within the organization.
- We seek individuals from various race backgrounds for board and executive director/CEO positions within our organization.
- We help senior leadership understand how to be inclusive leaders with learning approaches that emphasize reflection, iteration, and adaptability.
- We engage everyone, from the board to staff levels of the organization, in race equity work and ensure that individuals understand their roles in creating culture such that one’s race identity has no influence on how they fare within the organization.
Contractors
Fiscal year endingProfessional fundraisers
Fiscal year endingSOURCE: IRS Form 990 Schedule G