GOLD2023

GOTHAM EARLY MUSIC SCENE

Early music for us all.

aka GEMS   |   New York, NY   |  https://www.gemsny.org
GuideStar Charity Check

GOTHAM EARLY MUSIC SCENE

EIN: 26-0142449


Mission

The mission of Gotham Early Music Scene is to increase public understanding and appreciation of early music (the music of the Medieval, Renaissance, Baroque, and early Classical periods), enrich our communities with greater access to early music for all, and enhance the diversity, quality, and stability of participating artists and organizations in New York by: ♦ CREATING MORE OPPORTUNITIES for professional early music artists to perform; ♦ EXPANDING AND DIVERSIFYING audiences; ♦ STRENGTHENING ensembles, individual artists, and organizations devoted to the genre; ♦ EDUCATING musicians, the general public, and the media; and ♦ PRESENTING concerts, seminars, lectures, master classes, exhibitions, and scholarly forums.

Ruling year info

2007

Executive Director

John Thiessen

Main address

340 Riverside Drive Suite 1-A

New York, NY 10025 USA

Show more contact info

EIN

26-0142449

Subject area info

Arts services

Cultural awareness

Music

Historical activities

Population served info

Adults

Ethnic and racial groups

Social and economic status

Work status and occupations

NTEE code info

Music (A68)

IRS subsection

501(c)(3) Public Charity

IRS filing requirement

This organization is required to file an IRS Form 990 or 990-EZ.

Tax forms

Communication

Blog

Programs and results

What we aim to solve

This profile needs more info.

If it is your nonprofit, add a problem overview.

Login and update

Our programs

SOURCE: Self-reported by organization

What are the organization's current programs, how do they measure success, and who do the programs serve?

Fiscally Sponsored Ensembles

22 ensembles receive fiscal sponsorship from Gotham Early Music Scene

Population(s) Served

The Midtown Concerts series, presents 40+ distinctive FREE weekly concerts each year, providing exceptional and interactive musical experiences to audiences across the socioeconomic spectrum, nurturing local artists at all stages of their careers, and contributing to the vibrance of New York's early music community. We are proud to provide performance opportunities for over 200 artists, featuring local, national, and internationally acclaimed groups, chosen by a panel of early music specialists from the metropolitan area, and serving over 3,000 audience members each year. Our ultimate goal is to offer a meaningful contribution to New York’s cultural tapestry, making rarely heard music accessible to all and enriching the musical lives of artists and audience members alike. We are proud to offer the greatest number and most diverse free concerts in the city, and we hope to continue reaching new audience members every week.

Population(s) Served
Older adults
Seniors
Young adults
Artists and performers
Economically disadvantaged people

Where we work

How we listen

SOURCE: Self-reported by organization

Seeking feedback from people served makes programs more responsive and effective. Here’s how this organization is listening.

done We shared information about our current feedback practices.
  • How is your organization using feedback from the people you serve?

    To identify and remedy poor client service experiences, To identify bright spots and enhance positive service experiences, To make fundamental changes to our programs and/or operations, To inform the development of new programs/projects, To identify where we are less inclusive or equitable across demographic groups, To strengthen relationships with the people we serve, To understand people's needs and how we can help them achieve their goals

  • Which of the following feedback practices does your organization routinely carry out?

    We take steps to get feedback from marginalized or under-represented people, We aim to collect feedback from as many people we serve as possible, We take steps to ensure people feel comfortable being honest with us, We look for patterns in feedback based on people’s interactions with us (e.g., site, frequency of service, etc.), We engage the people who provide feedback in looking for ways we can improve in response, We act on the feedback we receive, We tell the people who gave us feedback how we acted on their feedback

  • What challenges does the organization face when collecting feedback?

    We don't have any major challenges to collecting feedback

Financials

GOTHAM EARLY MUSIC SCENE
Fiscal year: Jul 01 - Jun 30

Revenue vs. expenses:  breakdown

SOURCE: IRS Form 990 info
NET GAIN/LOSS:    in 
Note: When component data are not available, the graph displays the total Revenue and/or Expense values.

Liquidity in 2022 info

SOURCE: IRS Form 990

3.01

Average of 4.92 over 10 years

Months of cash in 2022 info

SOURCE: IRS Form 990

5.3

Average of 2.5 over 10 years

Fringe rate in 2022 info

SOURCE: IRS Form 990

9%

Average of 8% over 10 years

Funding sources info

Source: IRS Form 990

Assets & liabilities info

Source: IRS Form 990

Financial data

SOURCE: IRS Form 990

GOTHAM EARLY MUSIC SCENE

Revenue & expenses

Fiscal Year: Jul 01 - Jun 30

SOURCE: IRS Form 990 info

Fiscal year ending: cloud_download Download Data

GOTHAM EARLY MUSIC SCENE

Balance sheet

Fiscal Year: Jul 01 - Jun 30

SOURCE: IRS Form 990 info

The balance sheet gives a snapshot of the financial health of an organization at a particular point in time. An organization's total assets should generally exceed its total liabilities, or it cannot survive long, but the types of assets and liabilities must also be considered. For instance, an organization's current assets (cash, receivables, securities, etc.) should be sufficient to cover its current liabilities (payables, deferred revenue, current year loan, and note payments). Otherwise, the organization may face solvency problems. On the other hand, an organization whose cash and equivalents greatly exceed its current liabilities might not be putting its money to best use.

Fiscal year ending: cloud_download Download Data

GOTHAM EARLY MUSIC SCENE

Financial trends analysis Glossary & formula definitions

Fiscal Year: Jul 01 - Jun 30

SOURCE: IRS Form 990 info

This snapshot of GOTHAM EARLY MUSIC SCENE’s financial trends applies Nonprofit Finance Fund® analysis to data hosted by GuideStar. While it highlights the data that matter most, remember that context is key – numbers only tell part of any story.

Created in partnership with

Business model indicators

Profitability info 2018 2019 2020 2021 2022
Unrestricted surplus (deficit) before depreciation $20,310 $1,712 $29,474 $108,248 $116,927
As % of expenses 4.0% 0.3% 5.6% 27.2% 13.5%
Unrestricted surplus (deficit) after depreciation $20,310 $1,260 $28,299 $107,072 $116,927
As % of expenses 4.0% 0.2% 5.3% 26.8% 13.5%
Revenue composition info
Total revenue (unrestricted & restricted) $533,052 $688,437 $559,235 $481,671 $970,308
Total revenue, % change over prior year -20.5% 29.2% -18.8% -13.9% 101.4%
Program services revenue 60.1% 71.6% 53.5% 22.0% 28.2%
Membership dues 0.0% 0.0% 0.0% 0.0% 0.0%
Investment income 0.0% 0.0% 0.0% 0.2% 0.0%
Government grants 10.0% 8.0% 11.5% 19.3% 40.0%
All other grants and contributions 23.5% 20.3% 34.8% 58.5% 31.9%
Other revenue 6.4% 0.2% 0.3% 0.0% -0.1%
Expense composition info
Total expenses before depreciation $512,742 $665,804 $529,744 $398,423 $867,381
Total expenses, % change over prior year -22.7% 29.9% -20.4% -24.8% 117.7%
Personnel 15.2% 12.0% 18.2% 29.5% 26.9%
Professional fees 0.9% 1.0% 1.3% 0.0% 0.4%
Occupancy 0.0% 0.0% 0.0% 2.1% 0.0%
Interest 0.0% 0.0% 0.0% 0.0% 0.0%
Pass-through 0.0% 0.0% 0.0% 0.0% 0.0%
All other expenses 83.9% 87.0% 80.4% 68.4% 72.7%
Full cost components (estimated) info 2018 2019 2020 2021 2022
Total expenses (after depreciation) $512,742 $666,256 $530,919 $399,599 $867,381
One month of savings $42,729 $55,484 $44,145 $33,202 $72,282
Debt principal payment $0 $0 $0 $18,620 $0
Fixed asset additions $409 $574 $3,440 $6,426 $1,460
Total full costs (estimated) $555,880 $722,314 $578,504 $457,847 $941,123

Capital structure indicators

Liquidity info 2018 2019 2020 2021 2022
Months of cash 2.9 1.8 3.7 4.9 5.3
Months of cash and investments 2.9 1.8 3.7 4.9 5.3
Months of estimated liquid unrestricted net assets 1.0 1.5 2.5 6.4 3.8
Balance sheet composition info 2018 2019 2020 2021 2022
Cash $125,661 $97,817 $161,487 $161,530 $385,055
Investments $154 $138 $121 $121 $147
Receivables $2,145 $31,871 $9,331 $59,474 $23,968
Gross land, buildings, equipment (LBE) $11,939 $12,513 $15,953 $22,378 $19,386
Accumulated depreciation (as a % of LBE) 79.7% 89.2% 77.3% 60.4% 53.2%
Liabilities (as a % of assets) 20.8% 16.2% 24.0% 7.2% 31.9%
Unrestricted net assets $45,727 $85,152 $113,451 $220,523 $284,914
Temporarily restricted net assets $57,676 $25,000 N/A N/A N/A
Permanently restricted net assets $0 $0 N/A N/A N/A
Total restricted net assets $57,676 $25,000 $25,000 $0 $0
Total net assets $103,403 $110,152 $138,451 $220,523 $284,914

Key data checks

Key data checks info 2018 2019 2020 2021 2022
Material data errors No No No No No

Operations

The people, governance practices, and partners that make the organization tick.

Documents
Letter of Determination is not available for this organization
Form 1023/1024 is not available for this organization

Executive Director

John Thiessen

Number of employees

Source: IRS Form 990

GOTHAM EARLY MUSIC SCENE

Officers, directors, trustees, and key employees

SOURCE: IRS Form 990

Compensation
Other
Related
Show data for fiscal year
Compensation data
Download up to 5 most recent years of officer and director compensation data for this organization

There are no highest paid employees recorded for this organization.

GOTHAM EARLY MUSIC SCENE

Board of directors
as of 10/31/2023
SOURCE: Self-reported by organization
Board of directors data
Download the most recent year of board of directors data for this organization
Board chair

Gene Murrow

Louise Basbas

Music Before 1800, ret.

LuGene Bé

Arts Consultant

Peter Faber

McDermott, Will & Emory, ret.

Joanne Floyd

MD, ret.

Judith Klotz

NJ Guild for Early Music

Anne W. Lowenthal

PhD., Independent Art Historian

Norma V. Rosenberg

Vista International

Organizational demographics

SOURCE: Self-reported; last updated 10/19/2023

Who works and leads organizations that serve our diverse communities? Candid partnered with CHANGE Philanthropy on this demographic section.

Leadership

The organization's leader identifies as:

Race & ethnicity
White/Caucasian/European
Gender identity
Male
Sexual orientation
Decline to state
Disability status
Person without a disability

Race & ethnicity

No data

Gender identity

No data

Transgender Identity

No data

Sexual orientation

No data

Disability

No data

Equity strategies

Last updated: 10/31/2023

GuideStar partnered with Equity in the Center - an organization that works to shift mindsets, practices, and systems to increase racial equity - to create this section. Learn more

Data
  • We review compensation data across the organization (and by staff levels) to identify disparities by race.
  • We have long-term strategic plans and measurable goals for creating a culture such that one’s race identity has no influence on how they fare within the organization.
Policies and processes
  • We engage everyone, from the board to staff levels of the organization, in race equity work and ensure that individuals understand their roles in creating culture such that one’s race identity has no influence on how they fare within the organization.