Global Arts Corporation
Empowering youth through musical communities
Global Arts Corporation
EIN: 83-4028238
as of September 2023
as of September 18, 2023
Programs and results
Reports and documents
Download annual reportsWhat we aim to solve
Our programs
What are the organization's current programs, how do they measure success, and who do the programs serve?
Orchestra Program
Instrumental music program for youth in grades 4-7. Students receive instruments, participate in weekly classes taught by professional teaching artists, perform in concerts and community events, and go on music-related field trips. All instruments and programming are provided free of charge.
Leadership Program
Available to Global Arts students who have been in the program for at least one year. Students mentor younger students, assist teaching artists, and meet weekly with an advisor to discuss leadership skills and set goals.
Where we work
Affiliations & memberships
Eastman Instruments 2021
External reviews

Photos
Our results
How does this organization measure their results? It's a hard question but an important one.
Total number of classes offered
This metric is no longer tracked.Totals By Year
Population(s) Served
Multiracial people, People of Latin American descent, At-risk youth, Low-income people, Immigrants
Related Program
Orchestra Program
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
2019 - Established. 501c3 Status received. 2020 - First year of programming (high school stduents) 2021 - First year of programming with current partner school
Number of teachers who demonstrate effective teaching practices
This metric is no longer tracked.Totals By Year
Population(s) Served
Multiracial people, People of Latin American descent, Low-income people, Immigrants, At-risk youth
Related Program
Orchestra Program
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
2019 - Established. No teachers. 2020 - 2 teachers, both very effective. 2021 - 4 teachers, all very effective.
Number of students enrolled
This metric is no longer tracked.Totals By Year
Population(s) Served
Multiracial people, People of Latin American descent, Low-income people, Immigrants, At-risk youth
Related Program
Orchestra Program
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Context Notes
2019 - Inception Year. No Students. 2020 - 3 classes with 25 students total. 2021 - 3 classes with 39 students total.
Total number of performances
This metric is no longer tracked.Totals By Year
Related Program
Orchestra Program
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Number of instrument choices offered
This metric is no longer tracked.Totals By Year
Related Program
Orchestra Program
Type of Metric
Output - describing our activities and reach
Direction of Success
Increasing
Percentage of students who enjoy attending programming
This metric is no longer tracked.Totals By Year
Related Program
Orchestra Program
Type of Metric
Outcome - describing the effects on people or issues
Direction of Success
Holding steady
Context Notes
Based on anonymous student surveys.
Average number of years of formal education for teachers/instructors
This metric is no longer tracked.Totals By Year
Related Program
Orchestra Program
Type of Metric
Input - describing resources we use
Direction of Success
Holding steady
Context Notes
Our teaching artists average 26 years of formal music education.
Percentage of staff who are satisfied to work with Global Arts
This metric is no longer tracked.Totals By Year
Type of Metric
Other - describing something else
Direction of Success
Holding steady
Our Sustainable Development Goals
Learn more about Sustainable Development Goals.
How we listen
Seeking feedback from people served makes programs more responsive and effective. Here’s how this organization is listening.
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How is your organization using feedback from the people you serve?
To identify bright spots and enhance positive service experiences, To inform the development of new programs/projects, To strengthen relationships with the people we serve, To understand people's needs and how we can help them achieve their goals, To understand the impact our current programming has on participants
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Which of the following feedback practices does your organization routinely carry out?
We collect feedback from the people we serve at least annually, We take steps to get feedback from marginalized or under-represented people, We aim to collect feedback from as many people we serve as possible, We take steps to ensure people feel comfortable being honest with us, We engage the people who provide feedback in looking for ways we can improve in response, We act on the feedback we receive
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What challenges does the organization face when collecting feedback?
It is difficult to get the people we serve to respond to requests for feedback
Financials
Financial documents
Download audited financialsRevenue vs. expenses: breakdown
Financial data
Global Arts Corporation
Balance sheetFiscal Year: Jan 01 - Dec 31
The balance sheet gives a snapshot of the financial health of an organization at a particular point in time. An organization's total assets should generally exceed its total liabilities, or it cannot survive long, but the types of assets and liabilities must also be considered. For instance, an organization's current assets (cash, receivables, securities, etc.) should be sufficient to cover its current liabilities (payables, deferred revenue, current year loan, and note payments). Otherwise, the organization may face solvency problems. On the other hand, an organization whose cash and equivalents greatly exceed its current liabilities might not be putting its money to best use.
Operations
The people, governance practices, and partners that make the organization tick.
Documents
CEO
Emily Kubitskey
Over the last 10 years, Emily’s passion for supporting underserved youth through music has driven her career both locally and internationally. Her desire to work with youth and music started at a young age and eventually inspired her to pursue degrees in music, education, and psychology. This resolve stuck with her in her professional life, when 8 years ago she started her own consulting company which took her everywhere from Venezuela to South Korea, from Italy to Minnesota, working with organizations that support youth through music. After spending the last decade working not only with these programs, but also multiple music non-profit organizations in Los Angeles, Emily is now serving as the CEO of Global Arts Corporation. Her current passion is to not only help serve the youth through music, but also provide development for educators.
Associate Director
Jacqueline DesRosier
From a very young age, Jacqueline DesRosier has had a deep desire to help others. From raising funds for homeless shelters, putting together supplies for families in Haiti, Appalachia, and Mississippi, to working with refugees and students with disabilities, Jacqueline has always felt that her purpose is to make a positive contribution to society. Combining this passion with her love of music has led Jacqueline to pursue a dual degree in music education and French Horn performance, followed by a Masters of Arts in Teaching. Over the last 10 years, she has had the opportunity to apply her belief in social justice, educational equity, and the power of music to cultivate change in her work as both an educator and teaching artist with non-profit organizations and public school districts. Jacqueline now serves as the Associate Director and Secretary for Global Arts Corporation and continues to dedicate her life to serving youth and fellow educators through music.
Global Arts Corporation
Officers, directors, trustees, and key employeesSOURCE: IRS Form 990
Compensation data
There are no highest paid employees recorded for this organization.
Global Arts Corporation
Board of directorsas of 08/14/2023
Board of directors data
Emily Kubitskey
Global Arts Corporation
Kendall Smith
Freelance Lighting Designer
Abiram Brizuela
The Unusual Suspects Theatre Company
Ana Paola Rincones
U.S. Marine Corps
Emily Kubitskey
Global Arts
Angelica Cortez
Suzuki Association of the Americas
Board leadership practices
GuideStar worked with BoardSource, the national leader in nonprofit board leadership and governance, to create this section.
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Board orientation and education
Does the board conduct a formal orientation for new board members and require all board members to sign a written agreement regarding their roles, responsibilities, and expectations? Yes -
CEO oversight
Has the board conducted a formal, written assessment of the chief executive within the past year ? No -
Ethics and transparency
Have the board and senior staff reviewed the conflict-of-interest policy and completed and signed disclosure statements in the past year? No -
Board composition
Does the board ensure an inclusive board member recruitment process that results in diversity of thought and leadership? Yes -
Board performance
Has the board conducted a formal, written self-assessment of its performance within the past three years? No
Organizational demographics
Who works and leads organizations that serve our diverse communities? Candid partnered with CHANGE Philanthropy on this demographic section.
Leadership
The organization's leader identifies as:
The organization's co-leader identifies as:
Race & ethnicity
Gender identity
Sexual orientation
Disability
Equity strategies
Last updated: 08/03/2023GuideStar partnered with Equity in the Center - an organization that works to shift mindsets, practices, and systems to increase racial equity - to create this section. Learn more
- We review compensation data across the organization (and by staff levels) to identify disparities by race.
- We have long-term strategic plans and measurable goals for creating a culture such that one’s race identity has no influence on how they fare within the organization.
- We seek individuals from various race backgrounds for board and executive director/CEO positions within our organization.
- We help senior leadership understand how to be inclusive leaders with learning approaches that emphasize reflection, iteration, and adaptability.